• I alluded in my previous post that November had us primed for some travel afar and away, and in as much I had picked up a new sketchbook for that specific purpose.

    Over the recent long weekend, the family and I flew across the continent from our frozen little Canadian city, to the big city, the big apple, Manhattan in New York. It was a weekend filled with adventure, food, walking, Broadway shows, museums, more food, parks, and tall buildings. Five days of urban vacation fun, punctuated by no less than seven sketches by yours truly.

    I tried to be bold when I sketched, too.

    On the Sunday morning, while the family was still snoozing away the early hours, I packed up my gear and walked the few blocks north of the hotel and into Central Park.

    Over the course of three hours on my own, I found breakfast, drank a coffee, and stopped three times to pull my sketchbook and pen from my pack and draw what I saw.

    The last of these, the feature image of this post, was drawn while sitting on a bench around Central Park West and 66th Street, a long street running along the west edge of the park and lined across the avenue with beautiful and expensive condominiums. Literal million dollar views.

    pens and ink

    I've been reluctant to dive in headlong with ink-only sketches, almost always warming up my blank page with at least a few pencil shapes to build some confidence for those more permanent lines. That was a luxury I didn't give myself on vacation, tho, whether because I often had a family sitting nearby waiting on my art or just because I was trying to fill the page in the minimum of time for a dozen other reasons. I had thought such haste would leave me unhappy with the final results, but I have been finding a new confidence in ink-only drawings and a life and vibrance that is emerging on accident of only having a single chance to draw the scene rather than tracing over my pencil lines. And I like it, and think I will do more of it.

    My bench wasn’t worth nearly so much, but it proved a creatively fertile outpost.

    Given another hour, a day, a lifetime it felt like something I could have sketched in the most brilliant of detail and complexity. But I sat down for a mere thirty minutes, give or take, and quickly tried to capture the late-autumn scene. Shapes. Lines. Feeling. Warmth. Movement of the hundred or so people who walked by me, many looking down at my page and a few stopping to ask for directions that I was scantly able to provide. My pen moved as fast as it could across my sketchbook resting on my lap, trying to store that moment into a few lines of ink on paper.

    In my little city home there are a million scenes that could be sketched, but being somewhere new and vibrant and alive in a way that New York is just so unlike where I live, it was gnawing and crunching as creative fire.

    Travel was my muse for five days, and more than once lit something inside that I think I’ll find hard to rekindle at home… especially with half a meter of snow on the ground.

  • It’s been nearly a year since we left the country last, but after six months of plotting and planning our long awaited return to Manhattan finally rolled into view on the calendar.

    Whatever else, it might give me some things to write about here over the coming week or two as I settle back into that post-vacation it’s-snowy-at-home winter blues, but for now I thought it useful enough to kill some time on a six hour airport layover writing that it happened at all.

    The trip itself, like so much we seem to do these days, was a make up trip from one that was supposed to have happened during the pandemic. The Kid was paid and ready for a school-run adventure to the Big Apple with her eighth grade classmates back in 2020, a trip that never happened, and one that was rewarded as something of a honours-in-middle-school do-over that came due this past weekend.

    The Kid, being a theatre kid, was primed for some Broadway brilliance, so no less than three of our evening and a substantial portion of my October paycheque, bought us a trio of a trio of tickets for The Music Man, Beetlejuice the Musical, and Book of Morman.

    That was her jam.

    My jam was taking a ton of photos, eating pizza and sitting in Central Park on a rock and sketching.

    I’ll have more to write about the trip soon, as soon as the trip settles in my writing mind, but for now it’s probably good enough to say that it was an excellent mini-vacation, I’m tired as heck, and I still got most of a continent to traverse before bedtime.

  • I was feeling adventurous when I bought a wee bag of local-ish upcycled coffee flour from a local food market.

    For what it purported to be, coffee flour turned out to be little more than milled used coffee grounds, cleaned, dried and packaged as a gluten-free additive for bread or other baking needs.

    When I opened the bag for the first time the colour and odor lived up to it’s claim. It looked and smelled like discarded espresso grounds. Admittedly, not very appetizing.

    My first batch of bread was as per recommended by the blurb of text on the packaging. I substituted 20% of the bread flour by weight (100g of coffee flour to my 400g of bread flour) to my standard sourdough recipe.

    The resulting dough was as black as mud but had a terrific elasticity and smoothness. It still smelled — reeked — of spent coffee, but I was hopeful that the baking process would mellow some of that out.

    Honestly, it didn’t.

    Those first two loaves could have been mistaken for a couple of over-baked and well-burnt bread. It had the colour of char, for all the world looked like I had forgotten them in the oven for twice their normal baking time. After my standard thirty minutes, the bread was cooked.

    First, food that has the colour of burnt is generally not always appetizing. If the first first bite is with the eyes, this bread recipe was a wincing, reluctant bite on colour alone.

    Second, though I am a dedicated coffee lover, I couldn’t get over the overwhelming spent coffee scent. A lot of the smell did mellow, but 20% is just too much for this flour. I remarked to my wife (who does not like coffee at all) that they’d do just as well to upcycle cigarette butts into a baking additive for some earthy, tobacco, ashtray aroma.

    I ate one slice. Got a stomach ache. (No, really.) And for the first time in a long time in my bread baking career, tossed two loaves into the compost bin.

    But I am anything if not forgiving and adventurous, and I tried again. (Not to mention a kilogram of this stuff was the same price as five kilos of bread flour.) This time, however, I substituted at a much lower ratio. Five percent. I used a mere 25g of coffee flour to my 475g of bread flour.

    The dough was still grey by the end of the fold cycle, and had a bit of “cookies and cream” appearance, as if little bits of black specks were mixed in with the off-white of the dough.

    And instead of two sandwich loaves, I stuck to my single dome loaf for the second attempt.

    Success?

    I think so.

    Note: The third photo, above, is my second attempt loaf, and the main top photo, the first in the post, is the sliced view of the “successful” dome loaf pictured.

    It’s not my favourite additive, but the 5% blend does give the bread a very rich colour and a strong nutty-coffee-ish flavour whose odor was mellowed significantly during baking. It was almost a savoury bread, as it tasted pretty decent with a bit of butter but as my morning toast with peanut butter and honey, there was something lacking in the pairing that had me thinking I’ll be sticking to oatmeal until I can bake up a new batch without the coffee flour.

    I feel bad that I didn’t really like this, though. Conceptually, it’s awesome. Upscaling food “waste” into reusable food additives or substitutes is a noble goal. And it’s from a company that is just a couple hours down the highway and supporting local business is also something of a noble goal. This would have been a twofer on ethical baking.

    At 5% substitution, this little bag of flour will last me for another thirty-five batches, tho. And, to be honest, I can’t see myself making another thirty five batches of this strong-flavoured bread. I’m glad I made it a couple times, but even I only like coffee so much.

    Maybe I’ll make some cookies… or biscotti!

  • I hate blog posts that are just excuses for not writing.

    That said, I have been quiet for quite a while.

    That deserves at least a little excuse for not writing.

    The summer was a bust. Back in July when I wrote about my knee I was still moderately hopeful that whatever my self-diagnosed ailment turned out to be, that it would (at most) result in a couple weeks of healing and I’d be back at it. Hiking. Running. Doing things I loved to do.

    What I didn’t expect was that finally seeking some medical intervention would set me on a path that has sidelined me for what is now almost exactly four months.

    It turned out that yes, I damaged my MCL, a ligament that runs up on the inside line of the knee, but no, it’s not a simple injury. I’ve been going to physiotherapy and have severely reduced my participation in the things that would have brought me a bit more balance this past summer through work and life stress. There have been days I can barely walk. Sleepless nights. Urgent calls to medical professionals. And a lot of frustration and…

    It’s been a tough span. Nor one I wanted to remember, let alone raise up and publicize online. Thus… no blogs were writ.

    I mean, there was not much for adventure either when you’re injured, to be honest. Some car travel. Me limping around the local park to make sure the dog was walked. Watching the weeds grow in a garden I couldn’t bend down to deal with. Getting fat off sourdough bread.

    That’s my little excuse.

    Like I said, I’ve been pushing through physiotherapy … and things are improving. Slowly.

    I’ve started running a bit. Mostly short thirty second or one minute intervals until the pain builds up and I need to stop for another day. My physio has me working towards a big goal, running the Chicago Marathon, which I (reluctantly) signed up for as I had a free entry leftover from a deferral from the 2020 race cancellation. That’s next October. Eleven months from as I write this. I’m hopeful.

    And then the weather arrived in force this week. It started snowing on the second day of November and hasn’t really stopped for more than a few hours here and there. It went from a mild autumn to a blustery winter in the span of a single night.

    Winter adventure is a thing, right?

    I haven’t written for a while, and that’s my excuse. Not a great one, but an excuse nonetheless. And now I’ll keep writing. I haven’t left. At least… not yet. Hopefully not soon. Stay tuned.

  • Breaking in a new sketchbook is a daunting moment. It’s not as if they are outrageously expensive, but after investing thirty bucks into a new Moleskine watercolour folio, peeling the plastic cover off, and quietly considering how great it was going to look full of lovely urban sketches, I couldn’t help but hesitate to put a first mark on the page.

    I bought a new sketchbook because we’re going on a plane in about three weeks. We’ll be wandering around Manhattan for the better part of five days and I plan to sit and sketch for at least one picture per day. I’ve been falling into the habit with the last few sketchbooks I’ve bought to “theme” them. I have a book of little watercolours of objects. I have a notebook that is exclusively for sequential journaling. I have a sketchbook for people. I have another for pen drawings of scenes. I have yet another that is reserved for full watercolour layouts.

    I did not have a book for urban sketches.

    I figured New York would be a great place to have exactly that.

    But then the idea of taking a completely blank canvas on a big vacation and finding myself sitting in some square in the heart of the Big Apple, overthinking that first mark on that first page… it was not just a daunting moment, but a paralysing one.

    loose lines

    Filling a sketch with life and vibrancy is a collection of a million little choices, but never in my wildest imaginations did I come to realize that half of that million choices would occur not just in the seconds of my sketches but in the microseconds. The choice to do more than translate the scene onto the paper comes from feeling the very soul of a space and an object and the various subjects of your work. Life is not made up of perfect lines and regurgitating the symmetry of a world that doesn't really exist means that we are too often drawing symbols of how we want the world to be than letting the world flow into our pens at every micro-moment of ink on paper contact. There is a looseness of letting the universe jitter and jiggle through our fingers, as if the quantum uncertainty at the edges of everything and all matter is amplified to expression on the page, and the result when done right in inescapable momentum towards art and away from mere documentation.   

    My solution for overcoming two kinds of new sketchbook daunting…um… ness was simple.

    First, just draw. Now. Find an on-theme picture or scene, and just mess up at least one page. I mean, now that I’ve messed up one I may as well mess up a couple more before we leave, but that fresh, newly-unwrapped watercolour folio is now good and broken in with at least one lovely painting. With at least one drawing in that book, and possibly three or four if I get my act together, when I pull that sketchbook out onto my lap in Central Park next month, THAT drawing will just be another drawing in just another notebook. Not daunting at all.

    Second, and a tip I picked up randomly from YouTube, never start on page one. I opened that new folio right to near exactly the middle and drew on that page. Sure, I labelled and dated it, but sequentially chronology is for meeting minutes from my office job, not my art… right. Page one is so significant and weighty, so why add to the pressure of not only drawing A page, but drawing THE page… the FIRST page. So, I didn’t. I drew page forty seven or something unremarkable. Page forty seven is not daunting.

    Drawing in a bound notebook, in public to boot, is supposed to be fun and relaxing. What ways do you find to reduce the stress, even just a little, so that you can focus on the moment and not the silly details that shouldn’t be filling you with extra stress?

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Ah. Some blog, huh?

I’ve been writing meandering drivel for decades, but here you’ll find all my posts on writing, technology, art, food, adventure, running, parenting, and overthinking just about anything and everything since early 2021.

In fact, I write regularly from here in the Canadian Prairies about just about anything that interest me.

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