• The dog wanted to sit in the grass. We’ve been riding a sine wave of temperatures through the last month or two, going from unbearably hot to jacket cool. Today the temperature swung back up to the hot again after a few days of pre-autumn chilly, and the dog, half way through our afternoon, pulled me in the shade of some big old trees in the park and plonked down in the shade in the grass.

    I relented and sat down beside her. To my back, the sun was glinting through the leaves of the trees and shimmering in a romantic sort of way as if pushed through a bit of atmospheric smoke that has decended on the city from a forest fire burning a thousand kilometers away.

    My camera didn’t do it justice, but then neither did my painting. That said, the shimmer of the light on the individual leaves made me consider that my rough squiggly-line trees with blotchy shadows may be dramatically improved by a few carefully chosen layers of a thousand individually coloured watercolour leaves.

    Points of Colour

    I can’t say if patience is truly a virtue, but there is a time to rush through the blurry colourful mess that is a huge tree and there is a time to be more patient and ask if it’s worth painting every indivual leaf.  Truly, such a task cannot be accomplished in the short ninety minutes it took me to attempt such a feat, but my light to dark layering of hundreds or thousands of individual splotches over my rough wash, each splotch an attempt to convey the sense of an individual leaf on that tree, resulted in a depth and variation in the final result that seems to me more impressive than any mussy blotch of greens and yellows and shadows that I usually attempt.

    Obviously, given more than a rushed ninety minute piece and proof of personal concept I may even improve upon the approach. I also suspect that more care and attention to put a more fulsome subject of focus in the piece would enliven the result dramatically. All that said, I am finding myself unable to steer directly into the headlights of abstraction as I so often set out to attempt before losing my way on that road and simply paint within the narrower confined of realistic colours and shapes.

    It is a fault I hope to work towards recitifying as the months press onward.

  • Almost a year ago to the day I found myself standing in the aisles of a local art supply story browsing the watercolour painting supplies.

    This is a site about that journey. From then to now, and then on and on, forward and beyond.

    I’ve painted almost a hundred pictures since that day, dabbling in colour and form and shape and style. And to be honest, most of it was mediocre.

    Then suddenly, things started to click. It wasn’t revolutionary nor was it magical. It was just a year’s worth of thoughtful, deliberate learning and practice culminating in work that I wasn’t entirely embarrassed to show around. Hardly works of fine art, but definitely leaning towards competency.

    And something inside me realized that to continue growing I was going to need to be a lot less scattershot in my approach. Learning and becoming better is part practice, of course, but it is also part adapting and correcting to when things go wrong and remarking upon when things go right. For example:

    Wash & Layers

    I bought an online course led by a sketcher and artist whose work I admire. His name is Felix Scheinberger and among other things, his explanation of the application of watercolour was the explanation that finally seemed to click in my brain about layering paints. What I took away, and what I applied in this painting was to treat the first layer of paint as a rough, diluted wash, meant to colour much (if not all) of the intended painting area with colour. Following the wash drying on the page, additional finer layers of watercolour are sparingly added to enrich the wash and enhance the details.

    As I keep these notes for my sketches, posting thoughts and insights as often (or as rarely) as I create a work that I feel was a personal success and something I can learn from, ideally this becomes a collection of anecdotes and insights into my own personal learnings, helping myself grow and maybe some other random reader of these words to take some inspiration and understanding as well.

    My New Friend Purple

    Over the last year I've been shy about colours. By shy, I mean I've been reluctant and cautious about using colours that my brain doesn't necessarily (or literally) see in the scene. This has been to the detriment of my art, and as I befriend a new colour that is (a) very rarely, literally in nature, and yet (b) is apparently abstractly everywhere in nature, I'm finding a dramatic increase in the splendour of what I'm creating with the brush just by using it more. That colour is purple. Purple is shadows. Purple is depth. Purple is richness in the leafiness of a tree, texture in a rock, and curls of hair atop a head. In my early painting days I never used purple at all. Now, I look at the painting I've put down in the last month and I struggle to find something without it.

    I took the day off a little over a week ago and, packing up my art supply bag and slinging my easel over my shoulder, I drove to a local botanical garden. I spent four hours wandering around, sitting in interesting spots, and plein air sketching-slash-watercolour painting whatever struck my fancy.

    One of the gardens is a Japanese-style garden, built in consultation with cultural representatives, and stuffed with little (faux?) temples, bonsai-style trees, fish ponds and stepped stones. I planted myself on the shore of the pond a little after lunchtime and painted a scene.

  • Ten days ago I was climbing up a mountain trail near the Crowsnest Pass, a low peak along the continental divide on a sunny Sunday afternoon, looking at views like this:

    I could feel the start of some bit of twinging in my right knee, but like anything else for a guy in his mid-40s, aches and pains are sometimes something to worry about … but usually just the biological squeaks of rusty joints and complaints of underused muscles.

    That logical gamble didn’t pay off for me this time, and after a week of continued mumbling and grumbling noise from my knee joint, it finally stopped pulling punches and objected outright and fully to my continued lack of care to it’s needs.

    I’d say it walked out on me, but walking is something that we do together and not as much for the last few days.

    I seem to have developed a bit of a strain or a tear in my MCL, or medial collateral ligament, an important tendon on the inner side of the knee joint that is pretty important (I’ve found lately) for doing things like standing, walking up stairs, and (of course) running.

    I’m on a break from running for at least a week or two.

    Instead, I’ve grudgingly renewed my municipal fitness centre pass and paid up for a whole year of access to the weights, machines, and lap pool. I’ve been reintroducing myself over the last week to the joys of lane repeats. It’s a kind of cross-training, rehab, knee therapy that I hope will reduce my down time.

    But in the heart of summer, despite the heat and humidity, I’m more than a little sad to be missing the sunny trails and green-lined river valley paths because of an injury I don’t even really know the origins of: suddenly it just started aching, and progressively got worse.

    In the meantime, I may be able to use some of that down time to write a few more posts about hikes, runs, and my recent adventures in the mountains.

  • Each summer for the last few I’ve hosted a small adventure club for a group of my running friends. We call them Adventure Runs, though running occasionally turns out to be only a minor component of the adventure.

    So…. once again it is summer, and once again yesterday morning I posted our secret meetup location in our chat server, anticipated all day long, then finally after work ended for the day drove to the secluded parking spot and waited to see who else showed up.

    Adventure Journal

    It had rained all afternoon.

    Not just rained. It had poured, complete with thunder and lightning, clacks of huge rain droplets batting against the windows and sending coworkers on our video meetings running off camera to close windows and comfort pets.

    At 5pm we were texting back and forth about whether to delay our running plans.

    But by 6pm the sunshine was back and I was lacing up my trail shoes and trying to remember exactly how to navigate the city streets to where I’d agreed to meet up for a local adventure.

    The thing about trying to find interesting and unique places to run in the suburbs of a big city is that we really have just two choices for trails that are not of the well-maintained asphalt or crushed shale-surfaced accessible recreational locales: we either need to drop into the river valley or we need to find a bit of wilderness trapped between the cultivated corridors of roads, housing and shopping malls.

    A dozen years ago a major infrastructure project resulted in the city building a ring road encircling a major part of the established city-proper. The road itself is almost eighty kilometers long with access points into and out of town every three to five klicks, and while in most places it snakes by the clusters of houses with naught but a bit of grassy ditch to separate the two, there are huge swaths of road anchored inside what’s called a transportation utility corridor (TUC) where clearance has been maintained to build roads, power transmission lines, and oil pipelines.

    I was also acutely aware of a spot not too far (but not easily accessible) where a particularly interesting swath of TUC had been combined with some natural preserve, an old, blocked off access road, and an interesting destination at the end of the connected trail.

    Into the Woods

    On any given summer day, the trail that led from the quasi-parking lot to the east access of the locally famous “graffiti tunnelwould have been a moderately challenging bit of dirt-based single track weaving through and around eclectic landscapes crushed between a busy highway to the south and a winding high-watered creek to the north.

    An hour after our quadrant of the city had been doused in an afternoon summer storm, those same trails were glistening and muddy, the tall grasses were hung heavy with rainwater, and the protruding heaps of clay silts that marked the marshy landscape near to the creek were more slippery than had we been running on our familiar winter ice slicks.

    As we descended into this twisting, wet, and perilous collection of intersecting trails, each of the seven of us often veering off course to find a bit of path we were individually more comfortable with, a mix of caution and excitement bubbled through the group.

    At one point I stopped abruptly with two of my companions close on my heels, slamming on my brakes in the wet mud and barely avoiding stepping on a medium-sized garter snake soaking up the sun on the middle of the path. I shooed it away and “stood guard” as one of my ophidiophobic running mates inched by and squealed in fear.

    Familiar Destinations

    More tall grass (hiding nasty ticks!)

    A scramble hand-over-hand up a small, nearly impassible hill.

    A leap of faith over an ant hill the size of a small car.

    And wet feet all around, even though we never did get very close to the creek at all.

    While the west side of the graffiti tunnel is accessible from a gentle gravel path connected to some of our local neighbourhood running routes, the east side (separated by a muddy creek) is only found on foot by following the two-and-a-half klick route through the trees and grass and wilderness-laden ditch through which we had just run.

    We ogled the years of overlapping graffiti that covered the old pedestrian underpass (yet to be connected to the trail system-proper even eighteen years after it’s installation), took a bunch of photos and selfies, and then contemplated our alternate routes back to the cars… ultimately deciding to face the known perils of retracing our steps back rather than trying to find a simpler (but far longer) route home.

    It is almost a rite of passage for a guy who plans crazy running routes to listen to the grumbles and complaints, cursing and swearing of those silly enough to follow him into the wilderness.

    And it is certainly rewarding to lead all of those people full circle to their cars and to realize that every single one of them just experienced something they’ll remember for long after we’ve all gone home and washed the mud from our ankles.

  • Climate and other outdoor factors converge and create a landscape where mushrooms rarely thrive. When they do, I’m always fascinated by the fungal structures that peek from the suburban landscape before shriveling up and disappearing again.

    dormant spores
    lurking
    hiding
    biding
    hidden in cool crevices
    desiccated
    down among nooks of decay
    undaunted by days of
    dark
    arid
    chill
    but a reprieve
    water
    rain
    moisture
    soaking the soil
    lingering showers
    thoroughly wetting
    nooks and crevices
    calling
    waking
    beckoning
    caps to peek into the sun
    a moment
    a day
    brief appearances
    reminders that
    dormant is not dead
    only waiting for
    chance opportunity
    and spring rains.

    – bardo

    I am not a poet, but a friend has inspired me to read more of it and think more critically about its place in the constellation of my creative pursuits. Occasionally, I’d like to post a poem here when inspiration strikes.

blog.8r4d.com

Ah. Some blog, huh?

I’ve been writing meandering drivel for decades, but here you’ll find all my posts on writing, technology, art, food, adventure, running, parenting, and overthinking just about anything and everything since early 2021.

In fact, I write regularly from here in the Canadian Prairies about just about anything that interest me.

Enjoy!

Blogging 404,290 words in 533 posts.

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