Tag: photographer

  • panoramic, one: autumn-ish

    If you’ve been reading along, you may already know that about a year ago I went backpacking in the mountains and returned with a whole bunch of great photos. A few of those photos were panoramic pictures.

    This is not a post about those particular photos, but rather the inspiration and adventures into code brought about by those photos. It was an adventure in thinking about image formats, and trying to figure out a way to display them nicely on a website, so when I go out on lovely autumn weekend and take photos like these… I can post them like this…

    Now, don’t even get me started on the image and video orientation debate. Horizontal versus vertical video! The shift from snapshot to square to tall images on instacrap. It’s all bewildering and when they start making wide screen folding phones we’re all going to follow the little red ball to whatever the latest trend is anyhow. 

    I like my 4×6 photo format for the most part. It’s a generational bias, I know, but still—it’s what I like. 

    All that said, the progress of technology over the last twenty-five years to simplifying panoramic, ultra-wide, auto-stiched photography has arugualby turned it into my second-favourite format. (Which probably means Apple will turn it off soon, dammit, I shouldn’t have said anything!) Back when I got my first camera I literally used software like photoshop or single-purpose software to individually stitch carefully captured photos together to make home-brew panos, and they were at best mediocre.

    Now, there is just a mode on my phone. On your phone too, probably.

    Except, back to that format war thing. People like pics that fit on their screens in the orientation that is most comfortable to hold. In other words, pano pics don’t fit nicely at all on our screens. 

    All this is leading up to the fact that when I added a pano feature into my 8r4d-stagram app, it changed my incentive by one hundred percent to take more pano photos. Which of course means…

    I’ve been taking a lot of pano photos lately. And like you’ve seen scattered into this post, I am interested in sharing some of those here on this blog. 

    Where this all led me was to sit down and write a plugin in WordPress to do something that should have been very simple, but look as did, was not something I could figure that anyone else had made: I built the start of a simple plugin to add panoramic photos to my WordPress blog, and display them in a way that lets you think of them like regular photos, but with a little secret hidden off to the side if you are inclined to scroll and nudge with your mouse or finger.

    I released it this morning on Github.

  • Photobia

    It was the invention of the digital photograph that may be credited with the reprieve from destruction granted to humanity… or at least for saving us temporarily. 

    I know, dear reader, that this may be a bold and potentially far too dramatic statement to place on the mantle of our budding new relationship, here, now, just like that, but there it is. Fact. A fact I know to be a virtual certainty, a clear and unobstructed truth, viable from a million perspectives, crystalline and as clear and in-focus as any photo I’ve clicked, snapped, plucked from the photons of light scattering through the air. Any. Ever. 

    But then I don’t take pictures any more, do I? Too risky. Too selfish. I ceased that hobby when I learned more of it. After all, it was all there, as plain as the language and words scribbled on these pages, the twists of very phase that we were there using to excuse our actions. I saw it. I saw the truth of it unfold, and it was confirmed for me in a proof so perfect that I could not doubt it, question it, ignore it. And perhaps you too will stop your own frenzy of photographic apocalyptic chaos after what I am able to…

    Ah, but wait; Surely I am getting ahead of myself. 

    It is my failing. This tenacity in me to grasp onto a moment and present it a single, perfectly focused image is still so strong, it remains so firmly entrenched in my heart, soul, my being, or whatever you prefer to call it, that to extend that moment temporally, to weave a path through the here, now and before, to pull it out like a spool of film stretched backwards in time as to explain a sequence, and then to play out the implications after the moment has passed and well into the future thereafter, ah, but it is not a skill that I have honed by my years of clicking shutters and catching instants of light in my lenses. I was a photographer and the haste derived from that skill is core, essence to my being. I regret that now, of course, but that this tale, this rant, this warning should suffer any, unfold poorly, or fall to convince because of that lapse, ah, but that burden is not yours, it is mine.

    See, you already know me I think. We’ve met. We’ve bumped shoulders on the street. 

    Ah. Recall? there was that time in Paris when I was steadying myself against a lamppost, my back turned to the Champs-Élysées while my lens was aimed at some richly flowing frieze upon the Arc de Triomphe. You walked through my frame and I snapped at the exact, precise, inconvenient moment when you stepped between the epic stone monument and my camera, your head turning and your eyes catching in a softly focused blur of confusion that forced me to retake the picture. 

    We were also together, briefly but together, that day in New York City, my fish-eye lens a bubble of elegantly tuned glass exploding the blur of lights, neon, and yellow taxi drag-lines into the perfect snapshot of West forty-second street in the last second of sinking daylight in a photograph that I would have been proud to hang on my wall, but no, no, no, thank you, no, because there was your head smudging, blurring, blocking the lights of the McDonald’s sign against the New Amsterdam marquee from my frame. 

    You don’t remember? 

    Then perhaps I can jog your memory of that day when we knocked elbows, paid our excuse-mes, as we both leaned over a rustic wooden rail bending into a kind of pale misty haze falling out of a mountain scene, zooming in to photograph that waterfall near Jasper. Or the day of the parade when your kid’s balloon persistently strayed into my shot. Or maybe it was you that handed me an awkward glare when I was merely taking photos of my own family in the park and lingering, yes, lingering a little too long on the swings striving for the idealized action shot I had blinking through my mind’s eye. 

    It was somewhere, may have been everywhere, or it certainly was anywhere, but believe me, we’ve met. 

    Ah, but please don’t misunderstand. This is not to imply or inflict some abstract, unfocused blame upon you, dear reader. Blame? Ha! No. Not blame. Blame for what? Blame for something, nothing, everything. Blame for the anguish of ruined photos, ah, no. No. Not blame. 

    No. Oh no. No. No. 

    No. 

    That would never do, indeed no. Blame, not at all. Not for you or me or any one of us alone. No. Rather. Well, rather it’s merely, simply, wholly that we are acquainted, you and I, somehow, if you know it, believe it, share that knowledge or not, and within the frame of this notion I share my picture of the impending apocalyptic ruin, end and doom of humanity. Just that.

    Just that.

    Just that. And who ever would have thought our eventual demise would be filtered through a lens so seemingly benign, so innocent, so… so… ah, but there I go again.

    It starts like this: it starts with the simple understanding that when I was a boy I was also a scout. That was me; Picture it. A neat-and-tidy uniformed, nature-strolling, camp-fire-building scout standing with his trusty red-plastic army knife tucked into a faux-leather utility belt and an orange scarf neatly woggled around his young neck. We camped. We crafted. We sang songs. We pledged allegiance to mysterious English lords long since dead this past century, and saluted proudly to the flags of our country and our club. I tell you this now, dear reader, because it is important that you understand one of those oft-recited mottoes, a rhyme, a creed, an elegant maxim of old-fashioned wisdom that peppered my actions then and thereafter, for a long piece of my adult life, and even now haunts this very treatise. We had a motto that would be repeated, sage wisdom flung to anxious children as they clambered out of a crowded sport utility van dislodging themselves from civilization and stepping into the wilderness. Our voices would sing it out to fellow scouts if we caught them dropping a wrapper from a snack, or snapping a still-green branch from a tree. “Leave only footprints,” we’d chime with the sing-song air of a memorized credo, “take only photos.”

    Take only photos. Take only…

    Photos? PHOTOS? Just photos. Just that.


    August 1998

    I was packing. “How many rolls of film do you think I should take? Five? Six?”

    “You can always buy more.” She says.

    “Twenty-four photos per roll at six rolls, that’s, uh… about a hundred and fifty pictures. Is that a lot of pictures? It doesn’t seem like a lot a pictures to me.”

    “Depends.”

    “It is my first time over to Europe. How many would you take. I don’t know, but it seems like there could be quite a bit I’d like to photograph. I don’t think I’d use a whole roll every day, but it’s three weeks. Three weeks. Twenty one days. Or is it twenty-two? No, right, twenty one. And only one hundred and fifty photos. It… it seems like I might take more than five or six photos per day, you know?”

    “You can buy more film. They sell film in Europe.”

    “But do I want to always be looking for places to buy film?” 

    My nerves are not my friends when I travel. They get the better of me. Always have, always will, I suspect. I am not a fearful traveler, but I stumble through the unknown with both hands outstretched and my feet plodding, scuffing, stumbling along with methodical care and attention. Travelling didn’t come naturally, either. Some people see the world and grab onto it with both hands. I wanted to reach out. I wanted to grab it. I wanted to soak it in, flit from place to place, country to country, new world to new world, absorbing the people and the culture, dropping into another culture, another city, blending with perfect fusion of ease and certainty. I wanted to be the guy who stepped off an airplane with perfect confidence and waved for a taxicab to scoot him off to an important place or vital meeting, I wanted to be seamless and noticed all at the same time, blurred into a geography not my own. But I was not that guy. Instead, I fumbled with maps, and studied unfamiliar street signs, I was the guy who looked up into the sky as if it would help me orient my latitude with the grace of a mythological ranger, as if seeing the glare of the sun would shine an all-knowing beacon upon my destination. I was not that guy. Oh, no. Not he. No. No. No.

    “They sell film everywhere. I’m pretty sure.” She insists. “You can very likely buy it from shops on every street corner or even from little old ladies selling their baking from baskets. Anywhere. Everywhere.” A pause. “You are going to a place that thrives off of tourism, so you think they are going to miss the chance to sell you something as fundamentally important as film?”

    “They have that?”

    “What? Film?”

    “No. I mean do they have little old ladies selling muffins out of baskets?”

    “I have no idea.” She sighs. “I’ve never been.” She says, she begrudging me jealous, but she is going back to school and I’ve graduated. “I’m just talking, you know? But they will have film. Everyone has film.”

    “So, how many rolls of film do you think I should take?”

    “Take five.” 

    “Five? And buy more?”

    “Yeah.” She says. “Just buy more. It’s just film.”

  • photo phails

    There was a time when I would have proclaimed myself a real photographer. I didn’t just have the right equipment, but I knew what I was doing, took thousands of photos, and even sold some pics.

    Not only would I likely need to wipe the dust off my SLR right now, I’m not even sure where I would start to build back into the whole photographer lifestyle again.

    There are a bunch of reasons I don’t take many pics anymore.

    I mean, I seem to have ranked these but they are all kind of equally impactful. At some point, each of them has had a huge impact on how I feel about clicking the shutter button lately

    First, and obviously, my photography hobby shifted to art. As in, rather than drag a big heavy camera out into nature to snap more photos of the river valley, I started dragging out big heavy watercolour and art sets into nature instead.  I used a camera, but I used it to take reference photos. You do that for a couple years and suddenly you realize that the habits of dragging a bulky camera along on walks has transitioned into something else entirely. 

    Second, social media used to be my jam. Back when the sites were actually about sharing and building community around creativity, it was still fun to take lots of pictures to build an online profile and portfolio. As the sites transitioned in ad mills and rage-baiting micro-vids, my effort to share my photography turned from a fun hobby into a hustle gig that I wasn’t willing to scramble. I stopped posting as much, and too I didn’t blog as much so didn’t need pics to accompany my posts, so my biggest client—me—suddenly wasn’t shipping as much.

    Third, and the reason I would often tell other photographers in commisseration of our mutual struggles was the perpetual expectation that I was the guy with camera at events, at work, at volunteer gigs, on travel outings, everywhere. I became the defacto documentarian of everything and it was tough stepping away from that without hanging up the whole camera rig and just not bringing it. I get that this was a little selfish of me, and even might come across as mildly disrespectful to friends and family who were probably just trying to respect my craft and give me chances to participate, but it does get in your head that maybe your only worth is because you own a camera.

    And finally, I would tell you that my subject matter has shifted. I picked up the photography habit first because I was in a new city and then later because I was a new dad, and then even later because life was full of photographable things. But as I alluded to above one can only photograph the river valley so many times, and then too, the kid became a teen and her willingness to be my goofy subject and model waned to raw annoyance, and the whole part where I travelled with a big old camera rig turned into a post-covid, travel light, just slip the good-enough phone camera into my pocket for snapshots mode. Heck, that iPhone takes hellagood pics ninety-five percent of the time.

    Does all this make me sad?

    A little bit. I mean, like running, photography brought me to many places and gave me a whole bunch of interesting opportunities to interact with the universe. It was an excuse for long walks on novel trails. It was a skill worth honing and which showed measurable progress the more I practiced it. And it definitely complemented my blogging. 

    I haven’t given it up, either. 

    Part of me is writing this because, well, in being all introspective on things I was pondering dusting off and charging up the camera later this week. It is spring and the trees are budding and the world near me is about to flower up.  I will definitely dig out my art supplies, but maybe some quality time with the old SLR should be on the agenda, too.

  • Meta Monday & Spring Galleries

    I spent nearly twenty hours just lingering in the gorgeous outdoors of my own backyard this past weekend doing all manner of activity, from doing serious chores like tending to the garden, patching my lawn, completing the installation of my irrigation system, to partaking in more leisurely activity like cooking barbecue, playing with the dog and sketching spring foliage.

    Sometimes when you manage a small personal website like this it’s important to stop after a weekend like that and remind visitors that the whole point of an internet blog is to highlight those things in words and pictures.

    To that end, I’ve been updating my galleries as well as my posts.

    Enjoy!

    Some photos from Spring 2022

    [foogallery id=”3848″]

  • Glacial Stares

    Sometimes things just click.

    Sometimes you need to do a hike up the side of a mountain to an interesting place, lay on the bare ground and get the moment just right for things to work out how you want.

    Describe the best picture
    you took in 2021.

    We had booked a week in the mountains during the lull in the pandemic, checking into a hotel we wouldn’t have sprung for if the borders had been wider open and tourists were filling them for higher prices than we were paying.

    We spent our days exploring, day trips mostly, driving from short hike trailhead to short hike trailhead, snacking in the car on the way between and keeping the dog calm on one of her first (of many) family adventures.

    Mount Edith Cavell is a short drive from Jasper, Alberta, and for the price of forty five minutes of hiking up a steep-ish but well-worn stoney trail one can sit beside a glacial lake in August and overlook the remains of the Angel Glacier and her various small bergs afloat in the freezing cold water.

    We did just that.

    And among the small crowds of other tourists we found a quiet spot to sit and look out at the view and admire the natural beauty of this place, pausing for a moment in the (then) nearly year-and-a-half long frustration epic that had been lockdown.

    I did what every good father and camera guy should do. I laid down on the rocky beach and tried to get at least one epic photo of my family.

    A photo from this short series, one where my daughter’s face is far more identifiable in the shot that would be suitable for a public blog, is the picture we sent out on the front of our Christmas card this year. It seemed appropriate and poignant and pretty much summed up the mood of our year.