works of wanderlust

Tag: nature photography

  • Doubled Down. Do You Carry Multiple Cameras, too?

    I have a habit that I have not completely decided if it is a problem… yet.

    It results in lots of great photos, hours of video footage, heaps of social-media ready content, and nary a missed moment.

    It also results in a sore back, full hands, and often being the guy standing back recording the action rather than fully participating.

    The maybe-a-problem is that I usually carry multiple cameras on vacation.

    Actually, while these days I’m often lugging a dSLR with multiple lens, an action camera (like a GoPro) with a video stabilizer, and a smartphone (for snapshots or panoramas, and because it’s a phone), I only occasionally doubt the practicality of this approach.

    After all there are some pros to having more than one camera:

    The Pros.

    • I usually have the “right” camera or lens for the scene.
    • I’ve taken some amazing pictures over the years and often this comes down to having appropriate equipment.
    • All the tech I’ve invested in gets a turn.

    On the flip side, I have been known to just bring a single camera somewhere so I can focus (no pun intended) on a single style of picture-taking.

    This makes me think of some of the cons of carrying too much equipment, such as:

    The Cons.

    • I only have two hands, and spend a lot of time switching or juggling gear.
    • It’s tough to travel light when you’ve got so much technology and an extra bag for it all.
    • I’m likely a higher target for crime or theft.
    • As a photographer I’m not growing as I’m taking the easy way out of switching to the easier equipment for the scene, rather than getting better with what I have in my hand at the moment.

    And to be honest, it’s probably writing down that last one that hits me the hardest, the idea that I’m becoming creatively stagnant because I’ve shifted my focus to gear over improving my technique. Learning happens, after all, because we challenge ourselves to solve a problem that we haven’t encountered before.

    I don’t want to make any grand gestures or statements here claiming to forever shift to one way of doing things, but I do wonder if I’m in good company with the multi-camera approach to photography… or if I’ve instead shifted to a kind of photographic FOMO: fear of missing out on some perfect shot.

    It’s something to pause and think about next time I set out on a photogenic adventure: should I take just one camera, or a whole bag worth?

  • Local Adventures: Social Distancing at Spray Lakes

    International travel is still something that hasn’t quite come back to normal, but fortunately we happen to live in a province of Canada that has it’s share of tourist destinations.

    We’re spending some more there time over spring break returning to the spot where we took our first local pandemic weekend getaway back in July of 2020.

    We had gone for a drive.

    Kananaskis Provincial Park is a sprawling mountain nature preserve on the eastern edge of the Rocky Mountains, touching the foothills and playing peekaboo with the city of Calgary just a few twists of the highway away.

    There are thousands of kilometers of hiking trails wending their way through bear country and hundreds of lakes, rivers, streams, waterfalls and spectacular mountain scenes speckle the landscape.

    You can see a respectable sampling of it by driving for a bit, then hiking for a while, then driving some more. Our ultimate goal was to drive the full loop around the hundred and fifty kilometers (give or take) back to our hotel. The route led past a number of stops, from a trailhead for a full morning strenuous hike to a couple spots where we could step out of the car for a few photos and snack at a nearby picnic table.

    Sparrowhawk Day Use Area fell into the latter category.

    A small ten-car parking lot was virtually empty as we pulled off the gravel road. A five minute wander down to the shores of the Spray Lake Reservoir led us passing by an eerily quiet assortment of empty picnic tables and cold campfire pits. On a summer day like this in any other year there would have been cars lined up along the road for lack of parking, and dozens of motor-less recreational boats exploring the lake. The din of families enjoying this place would have hidden the absolute stillness with which we were instead greeted.

    We walked along the shore for a while The kid skipped some stones into the still water. A canoe, far across the water, almost tracing the distant shore, was the only human movement besides us.

    I took some photos of the lake, and this one too, looking North towards where the dam sits, up past the bend and at the foot of those faraway mountains. The water almost like glass in the late morning calm.

    The ultimate in socially distanced places where no one else seemed to even exist.

  • Focus: Low Angle Perspectives Bring Visual Interest to Snapshots

    Regular readers may have noticed that I often include my own photos with many of my daily blog posts. It’s not an accident that I often have a pretty great shot to accompany something that I’m writing about, or have actually just sat down and written about a photo that I liked.

    This is because I count photography among the most consistent of my hobbies.

    There are so many tips and tricks that photographer use to make their shots more visually interesting, and many of those do not require any special equipment. On this meta Monday I thought I’d dig a little deeper into that.

    One example of a simple trick is just this: adjusting your perspective.

    A ground-level shot of a puppy walking on a leash.

    How often have you come back from vacation and sorted through the hundreds of photos you’ve taken and, while you may have many beautiful shots, you also felt a little blah about the snapshot style that you stuck with for the whole trip?

    The thing about cameras is that whether you are using something with an eyepiece or a screen, we so often hold them up to our face-level to snap.

    But hot tip: your face is not actually part of the photo-taking process. In fact, it may be contributing to that underwhelmed feeling that comes with mundane snapshots.

    I think as humans we tend to find engaging things that seem familiar but are just a little bit askew. When you take a snapshot, the scene, angles, perspectives are all familiar, but the photo isn’t as engaging as it could be because it’s almost too normal.

    When the scene seems a little bit too normal, I often find myself crouching down, setting my camera on or close to the ground, or even just holding the camera near a hip, A simple change of the angle of the photo can create a photo with an unusual line of sight into a scene that is something our eyes are used to seeing all the time.

    This off-kilter perspective can make visual interest and that can often lead you to a great photograph.