Tag: culture

  • poetic war

    Describe your 2025 in politics, culture, and the universe?

    No.

    Ugh.

    Ok. 

    I’ll bite …a little bit, for the blog.

    I was doing a little experiment the other week. I had a perfectly good reason to post a pointless video clip on social media the other day, but I didn’t want to use my main account. Nor did I want to use any of my other side accounts. So I did what any sane tech savvy nerd would do and I created a brand new account, followed no one, gave it a stupid profile name and pic that pretty much no one would associate with me, and posted my video. I did nothing special, did not share it, followed no one and did not tag it or add any meta data. It was not clever, funny, or controversial. I was merely posting it as a random clip I’d filmed to check how some function of the system was appearing. Within two hours it had received 12 likes.

    For context, we just spent nearly three weeks in Japan and I posted a few dozen curated photos representing some of my best work and amazing photography in that country, and my best post, with five hundred and fifty odd followers, got 8 likes. Eight. Just eight. Total.

    Somehow, this temporary burner account had received 50% more attention in the duration of our car ride home for a (completely random and the content was not the point) jittery eight second video of a snow plow out the front window of our car (what I just happened to be looking at while I was plotting this technology query) than for something I had purposefully shared for beauty and enjoyment …and to put a little of both out into the world. A fucking snow plow. Twelve likes.

    This really isn’t a bitter post about not getting any likes on my content. I don’t actually try to promote my stuff. I just put it out and whatever. And I really don’t even care. I’m not posting for validation. Or money. Or to be found. Or anything other than curating my own public collections of my creative work and personal giggles… whatever.

    But “likes” represent something else entirely. They represent exposure. They represent voice. They represent the attention and interests of others. They represent the choices made by programmed, unthinking, not-human algorithms, choices about who gets to see what …and when …and how frequently.

    And what most people are sharing these days happen to be things that largely represent culture and politics. And we all kind of understand that those folks… well, they are not trying to represent anything in a balanced or nuanced way. And same are even working and designing content to divide and anger us.

    Put those things together into one big brainy thought and you might get a glimpse of the major imbalance and deep illness in our culture this past year (and probably even further back). 

    I have this (probably controversial) notion that I’ve spoken aloud to a few people this past year about our culture and our political reality in 2025. It basically posits that while were all standing around here in fear of some nuclear world war three, what has happened is that the third world war has come and gone and most of us missed it.  That is, WW3 was a war of misinformation and the western world, democracy specifically, has been attacked and has lost …and now most people are wandering around in a state of post-psychic shock trauma not really wrapping their heads around that they and their families have been under literal assault and a kind of emotional and propaganda-based warfare for the last decade or so.  It didn’t ravage bodies in the physical sense, but it has destroyed institutions, collapsed trust in each other, broken relationships, and turned our path forward into one strewn with debris and rubble. It was launched by foreign states who understood that they could not win a conventional nor a nuclear war. It was fought on Facebook and Twitter and a list of other social media sites. It was launched through the traditional media who played their role as unwitting vectors of informational violence. It was bolstered by algorithms that we trusted had our best interest in mind but were really just blindly amplifying whatever seemed to be popular or match a narrative that made us each uniquely cozy and comfortable. The truth was shattered. Reality was broken. It weaponized the minds of the weak and easily-swayed. It turned friends and family into dirty bombs of radicalized falsehoods and conspiracy-laden mistruths. And even now most of us, nearly all of us, are simply in denial that it even happened… all while we keep scrolling through the same militarized platforms that caused it all in the first place and each in our own pretending that it is still all ok. 

    The battle rages unfortunately.

    That was 2025.

    Does 2026 look better for me right now? For any of us?

    Like and subscribe to find out, I guess.

  • book reviews: from a heat wave

    There is never a bad excuse to read, but hunkered in the cool basement to avoid the hot weather nursing a cold Coke and speed running some fanciful fiction is better than many. 

    I won’t tell you that there is either rhyme or reason to my recent picks besides that I’m on a bit of a first in, first out ebooks from the digital discount bin on the Kobo site or whatever pops up on my library holds list first. For example, I assume the original Jurassic Park book was on sale for a buck ninety nine a couple weeks ago because there is a new (eighth!?) movie in the franchise due in theatres imminently. The same reason that I bought a new Jurassic World game on Steam for less than a cup of coffee this past weekend. I’m just riding the shockwave of the cultural vibe, it seems. And I’m okay with that, too.

    These last couple weeks I’ve read:

    Jurassic Park by Michael Crichton

    I’d be lying if I said my first read of this book—way back in the early nineties—did not influence my choice of post-secondary education. I remember that our high school librarian who knew that our little group of nerd kids were ravenous readers showed up at the side of the table where we were playing cards one lunch and held out a copy of the book with its stark white and black dinosaur bones cover to the group and asked who wanted to be the first to read it. I accepted. The novel and subsequent movie sparked a kind of renaissance in the popularization of genetic engineering akin to a 90s version of the AI goldrush of 2025: everyone wanted a piece and every piece of media—magazines, television, and more—were telling kids that biology was the career of the future. A year or so later, having devoured the novel and the concept, I was enrolled in a science degree program and the rest is a sad trombone of personal history. I can’t recall having read the book since high school, but Jurassic Park is one of those things like Star Wars—there’s been so many sequels and video games and theme park rides transect my life that, first, it was hard to recall if the novel had been one of those and, second, the source material was almost underwhelming with respect to both the official and head canon that has emerged and swirled through the decades in between. The novel is a romp. And by far lighter and less dense than I remembered, like a Grisham novel with science-ish concepts. And that’s fine. Though reflecting on the direction this book sent my life spinning felt a bit like I’d been chased along the way by a Tyrannosaurus Rex to only find out later it was little more than film prop.

    Vacationland by John Hodgman

    Over a decade ago we went on a vacation cruise in the Caribbean. The Kid was young. We were young, too, but kind of in that middle demographic of not young enough to be cool but not old enough to be completely out of touch. I had been listening to a podcast by John Hodgman (about a week before we left for Florida departure) in which he was talking about suspiciously similar cruise he was about to embark as well. Sherlock I am not, but I nonetheless figured out that the cruise itinerary on which we were coincidentally booked was simultaneously hosting the JoCo Cruise, a fan convention at sea for which at least half or more of the passengers were attending. We were not attending. We were like vacationers who show up for a quiet vacation in middle of comiccon. We spent our weekend spotting C-list celebrities from our deck chairs and watching convention-goers enjoying a completely different week than the few hundred rest of us were having on a much more typical vacation. Yet, (tho I knew he was aboard) I had not spotted Mr. Hodgman. Was he actually on this boat? Was he hiding from Wil Wheaton? Had he tumbled overboard, martini in hand, and been lost at sea? The second-last night of the cruise the convention was hosting a big party on the Lido deck but, as they were setting up, us normies were still allowed up there and so the fam and I went for a soak in the hot tub before we got evicted to the buffet. It was then, sitting there in a whirlpool in my swim trunks, drinking a cocktail when I happened to look up. There standing on the deck at parade rest in bare feet and a tuxedo was the guy himself. Just standing there. Sound-checking or vibing or just being him weird self. Core memory. My Kid, aged six, did not care at all. But if you enjoy rambling anecdotal vacation stories like this, stories that touch on odd confluences of priviledge and ecclectic knowledge, Mr. Hodgman’s book may be right up your alley.

    I’m Starting to Worry About this Black Box of Doom by Jason Pargin

    My familiarity with the writings of Mr Pargin extends back to a fondness for the various essays and comedic observations he infrequently published pre-pandemic, and that twist through my complex relationship with the publication Cracked.  When a new article or guest podcast appearance bylined with his name on it I could always tell I would need to pay slighty more rigorous attention to the plot and his wry, pulse-on-the-zeitgeist observations which so parelleled a lot of familiar vibes I couldn’t always articulate on my own. There is, of course, always a danger in looking to a single source of understanding of anything, particularly in this vastly connected reality we share, but I will admit I felt a kind of abstract, quasi-celebrity kinship to this guy with whom I shared a kind of parallel upbringing and creative motiviation. That said, his resulted in a more successful (rightfully earned) outcome, and all of this background is relevant to the tone and substance of this latest of his novels, a standalone adventure-ish story that could easily be subtitled ”Or, why people on the internet are all nuts, you shouldn’t trust a word you read, and first thing’s first: take a deep breath and calm the fuck down!” Pargin has an acute sense of the moment in which we all live, and I suspect this is largely because he has spent enough mental processing cycles pondering the outrage engines and content factories to be a successful participant in the same if for no other or better reason than to promote his writing. That can’t help but leave a few scars on the soul of any author that surface in clever or disturbing ways through a thrillride of a novel that was hard to put down once I started reading.